A raunchy,cylinder-shaped ginger of Eastern European ancestry might not be the first dudeyou'd peg for rap stardom, but that's exactly the mantle Action Bronson is onthe verge of possessing. Over the last few years, the 28-year old Queens nativehas become one of hip-hop's most charismatic and colorful new characters,thanks to his wicked sense of humor, a buffet of impressive releases and therare knack for updating cherished East Coast aesthetics into indisputablymodern music.
In 2011, The NewYork Times hailed Bronson as “one of the most promising prospects in New Yorkhip-hop.” That formidable potential is now being realized. When Bronsongleefully tossed slabs of meat from Peter Luger’s famed steakhouse into awild-ass crowd at the Music Hall of Williamsburg, the mosh pit of skaters,knuckleheads, rap purists and young women was evidence of his ever-wideningappeal.
Mathangi "Maya" Arulpragasam, better known by her stage name M.I.A. is a rapper, singer-songwriter, record producer, and activist. Her stage name M.I.A. is wordplay on her name as well as a reference to the abbreviation Missing in Action. Her compositions combine elements of alternative, dance, electronic, hip hop. Her single “Paper Planes” peaked in the Top 20 worldwide and reached number four on the Bill- board Hot 100. “Paper Planes” was certified gold in New Zealand and three times platinum in Canada and the US where, as of November 2011, it was ranked the seventh best-selling song by a British artist in the digital era.
After setting a new standard for dance music in Australia and becoming the first dance artist to win the ARIA Award for Album of the Year with their 3 x Platinum, chart-topping LP ‘Apocalypso’, The Presets are now back with their first new tracks in almost four years - Triple J favourites “Do What You Want”, “14U+14ME”, and “Downtown Shutdown”. These songs formed part of the group’s long awaited fourth album ‘HI VIZ’, which debuted at #1 on the iTunes album chart within hours of its release.
Banoffee is the project of Australian born songwriter Martha Brown. Establishing herself originally in Melbourne, Banoffee has been self-producing her own brand of experimental electronica. With the release of last EP ‘Do I Make You Nervous’; in late 2015, a change was necessary and the West Coast of America beckoned. Originally, Banoffee’s sound was inspired by the sparse minimal- ism of Arthur Russell, melded with the straight-talking of Laurie Anderson and the sass of Destiny’s Child.
Bloody Mary encompasses all aspects of an established electronic musician: she’s a vinyl DJ, she performs as a hardware-only live act, she’s a producer, and she’s been running the label Dame-Music since 2010.
The French-born, Berlin-based artist likes to be kept busy. When she’s not caught up running between airport gates, she’s usually locked away in her gear-heavy studio, continuously mastering her art as a producer.
Her unique musical taste and elegant on-stage presence have seen her feature at festivals such as Movement Detroit, Piknic Electronik Australia and Barcelona, Intro Festival Mongolia, ADE, Sonar and WMC Miami. She has also graced the decks of world-renowned clubs like Fabric London, Space Ibiza, Panorama Bar Berlin, Smart Bar Chicago, Tresor and many more.
Born and bred in Brooklyn, New York but with roots in Vancouver, Canada, the history of Bob Moses is as curious as the cool house music duo's name.
Members Jimmy Vallance and Tom Howie knew one another from the Vancouver high school they both attended and were drawn together thanks to a shared love of pop-punk bands like Rancid and Green Day. Adulthood found them both in Brooklyn, with Vallance recording Berlin-styled techno while Howie worked in the realm of the singer/songwriter. Both felt musically stuck and hungered for something new, a problem solved by the simple union of their styles, which created something cool and decidedly "post-club." Named after the urban planner who designed the modern New York City, they became Bob Moses and joined the Scissor & Thread label in 2012 with the EP Hand to Hold. The Far from the Tree EP followed on the label in 2013, then a year later the group released the First to Cry EP on Domino. In 2015, the label gathered up all the duo's early EPs for the compilation All in All and also released their debut album, Days Gone By.
Say what you wanna say, but you have to give Strahil Velchev this: the man’s a powerhouse. Recording and playing live under the KiNK alias, he went on to become one of the nest purveyor’s of funk in techno and house. What it is, by de nition, ain’t exactly clear. And that is the beauty of it. KiNK’s music is unifying in the best possible way. Channeling the spirit and feeling of a time where it didn’t really matter who the faces behind the music were, KiNK plays with the elements of genres and sub-genres as if the future of it all is still wide-open. At the same time it could be accused of retro-fetishism, as much as the Pope himself is infallible.
Bob Moses is a Canadian electronic duo, originally from Vancouver, British Columbia. The band consists of Tom Howie and Jimmy Vallance.
A remix of their song "Tearing Me Up", by RAC, won a Grammy Award for best remixed recording, non classical. Bob Moses’ debut album, Days Gone By, was released on September 18, 2015.
“Tearing Me Up” became the most prominent song on the album, earning Grammy Award nominations for best dance recording and best remixed recording, non classical.
Making his debut into the world in 2010 under the anonymous moniker of Krystal Klear, Dublin native Dec Lennon has made a steady rise to become one of the freshest new faces in music that both has the chops to destroy underground dance oors with his deep crate of records. He's been hot from the start, with his 2010 single "Tried For Your Love" being quickly scooped up by BBC Radio One's Benji B and played on his radio show for 13 weeks in a row.
Max Cooper has carved out a unique position for himself as an artist, merging electronic music, visual art and science through installations, live audio-visual and immersive sound experiences. His label, Mesh, the embodiment of these passions, releasing music which is part of wider collaborations in the arts and sciences.
His contributions to the BBC’s long-running Essential Mix series in 2015 and Balance’s mix compilation in 2018 showcase his long history as a DJ dating back to the late 90’s, and contextualized his striking sound amidst his peers. Max has also collaborated with contemporary classical composers Michael Nyman, Tom Hodge and Nils Frahm, with a reworking of Philip Glass with Bruce Brubaker announced for 2019. His productions and performances have earned him many merits including several RA top100 listings in both the live and DJ categories.
2018 sees the release of Cooper’s third studio album 'One Hundred Billion Sparks' in which he interrogates notions of identity whilst profiling the complex mechanisms that make us all wonderfully unique.
I was born in a small village in the east of Ukraine to a normal family. Nobody was a musician in my family and there was no opportunity to obtain musical education. But I loved to dance and danced well. I finished school in my dear little village and then went on to the university of Donetsk to the Marketing faculty.
I immediately found my first job as a dancer in the best club of the city. After some time, this was not enough anymore, and I wanted to move forward, so I began to spin. That was 2005.
Since 2009 I have been touring frequently. Became a resident of Arma17 (Moscow), FUSE (Brussels), Ampere (Antwerp). In 2014 was the first edition of my festival called Strichka in collaboration with Closer Club in Kiev. I am not a producer. I am a real DJ. Although producing doesn't really interest me - I know that my best skill is at mixing records.
I love my hobby, which transformed into my profession and my way of life during recent years. My aim is to see as many people as possible on the dancefloor and to dance with them, leading the mood with what unites us all - music. I am what I do.
Britain's SG Lewis is an in-demand producer, songwriter, and DJ with an emotive, atmospheric approach to dance-oriented, electronic-based music. Influenced by the introspective pop of Bon Iver and James Blake, as well as the club-ready hip-hop of artists like Common, Pharrell, and the Neptunes, Lewis began posting his own evocative, moody tracks online. He quickly built a loyal following and eventually nabbed a residency DJ'ing at London's Chibuku Club.
In 2014, his remix of Jessie Ware's song "You & I (Forever)" caught the attention of Ware's label, PMR Records, who then signed him. A year later, he released his debut EP, Shivers. In 2016, Lewis delivered his sophomore EP, Yours, which included the track "Holding Back," featuring Gallant. Lewis' 2017 output consisted of the Toulouse-aided single, "Times We Had" and the solo track "Smart Aleck Kill." He returned in January 2018 with "Aura," a bright, yet low-key track featuring vocalist J Warner.
Presented by Hardware Group and Piknic Electronik ‘The First’ is a fresh approach to New Years Day in one of Melbourne’s most iconic outdoor venues - The Sidney Myer Music Bowl.
Centrally located minutes from the CBD amongst the King’s Domain Parklands and Royal Botanical Gardens, the venue has a history of memorable events and as the birthplace of Melbourne NYD festivals.
A multi -stage experience, this fresh approach aims to deliver multiple stages with a focus on live electronic, hip hop, house and techno.
The First NYD will land as the rst major New Years Day festival on the Australian calendar and deliver some of the biggest music superstars that have dominated music, radio and streaming charts across the globe.
Curated by the directors that brought the globally renound ‘Piknic Electronik’ to Australian shores, the season long event will host its own arena alongside other stages; reining in the New Year as the ‘Piknic Electronic Stage’ offering patrons the chance to delve in a prestine sound experience.
Long gone are the days when festivals focused on one genre of music. The First NYD is a smorgsbord of electronic music’s many types of talent.
For music and entertainment fans, The First NYD is an affordable and exciting experiene to see the best new talent alongside high pro le favourites- the perfect way to rein in the New Year.
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You acknowledge and agree that there are conditions of entry to the Event, as follows:
The Promoter reserves the right in its sole discretion to change the Event artist line-up, dates, venues, entry and exit times to the Event, artist performance times, amount of artists, special effects, amount of stages, amenities, amount or type of stalls, Event programmes, Camp Site layouts and capacity, Event Site layout or any other aspect of any facility or attraction at the Event (jointly “Event Details”) without prior notice to you. The Promoter will not be required to provide refunds or other compensation to a Patron if the Event Details are changed although the Promoter may provide a refund in its discretion where a patron cannot attend the Event due to a date change.
The Promoter reserves its rights to cancel the Event at any time due to a Force Majeure Event which in the Promoter’s sole discretion makes it logistically impossible to operate or continue to operate the Event. In the event the Promoter is required to cancel the Event entirely due to a Force Majeure Event, the Promoter may provide refunds to Patrons in its sole discretion. Where the Promoter exercises its discretion to issue a refund for a cancelled Event in accordance with its rights, you hereby agree and acknowledge that any such refund shall be strictly limited to the value of the Ticket (at the price you purchased it) and shall not extend to a refund of the booking fees, delivery or mail fees and any processing surcharge. “Force Majeure Event” means anything outside the Promoter’s reasonable control, including without limitation, fire, bad weather, damage to Event Site caused by bad weather, rain, flood, drought, storm, lightning, act of god, explosion, sabotage, accident, labour dispute, council or police rulings or war.
The Promoter reserves its rights to cancel the Event without cause whereby the Promoter will provide refunds to Patrons. Refunds shall be strictly limited to the value of the Ticket (at the price you purchased it) and shall not extend to a refund of the booking fees, delivery or mail fees and any processing surcharge. The Promoter will not be required to provide other compensation to a Patron where an Event is cancelled without cause.
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Security staff may thoroughly search, pat down, metal detect, inspect or open any vehicles, bags or articles upon entry. Due to the importance of keeping Patrons and the Event secure and safe, any person who withdraws consent for this, either prior to the search or during the search or hinders the search process shall be refused entry to the Event and/or Event Site, and will not be provided with a refund.
The possession, sale or use of illegal drugs or illicit substances is strictly prohibited. The Promoter does not condone or endorse the use of such substances and any patron found with them in their possession will be refused entry or removed from the Event Site and may be reported to the relevant authorities.
A total fire ban is in operation for the entire duration of the Event. Patrons are not permitted to operate naked flames, whether for campfires or BBQs or for any other purpose. Fines may be imposed by relevant council or authorities where a person fails to comply with the fire ban.
Dedicated services, including toilets, for mobility impaired patrons will be available at the Event.
You hereby agree that at all times, you will:
Entry to the Event and the Event Site is at your own risk. You acknowledge that the Event Site and/or the land it is staged on is an inherently dangerous place that may contain all manner of obstacles, risks and dangers, both known and unknown, natural and man-made which may result in loss or damage to property, personal injury or even death. You further acknowledge that at the Event, you may be exposed to contact from other Patrons, such as jostling, shoving and pushing; sustained loud noises which may cause temporary or permanent hearing loss; sun, rain and other elemental exposure; and other physical stressors. You hereby waive and forego any rights to make any claims for losses and injuries suffered by you on the Event Site for which we are not directly responsible and you warrant that you will come well prepared to handle challenging situations that may be presented to you at the Event Site.
Police have the right to attend the Event and have the right to question and/or eject Patrons from the Event over and above any restrictions or grounds for refusal of entry and/or removal from the Event Site contained within these Terms and Conditions. Patrons should respect police personnel and should seek legal advice before refusing to comply with any request made by any police personnel.
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Audio visual recordings of the Event are prohibited (“Unauthorised Recordings”). Should you make any Unauthorised Recordings, you agree that upon making those recordings, all copyright in the Unauthorised Recordings shall vest in and otherwise be assigned to the Promoter. You further warrant that you shall not use the Unauthorised Recordings in any manner whatsoever. Unless you have been restricted by any other agreement, you may take photographs with still cameras, however such images may only be used for private non-commercial purposes and must not be publicly displayed. If you wish to use a professional camera or video recorder, you must seek the prior consent of the Promoter.
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Any person found to be carrying media equipment (including without limitation microphones, recording devices, camera) may be removed and banned from future Babylon events for an indefinite period, unless that person has received the Promoter’s prior written permission to attend the Event as media personnel and displays their media pass promptly upon request.